Indispensible Online Music Tools, About 7 of Them

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Cool Percussion Instrument

The Hapi drum is a tuned percussion instrument that you tap to have it chime sweet notes. You can try it out virtually to see how it sounds. They come in pentatonic scales for their standard tunings, although other uncommon tunings are available. I would love to get my hands on one. It seems to me that it would be a great instrument to jam around on.

Check out the Hapi drum …

 

Sawing at My Guitar

I’ve done something that I’ve wanted to try for a long time. Taking my Christmas gift certificate to Long and McQuade, I bought a violin bow to use on my guitar. Let me tell you, it is not easy to just pick up a bow and start playing. First thing I noticed was that the notes I was hearing were not the notes I was playing. That is to say that there must have been some weird harmonic thing going on because, depending on where I stroked the bow on the string, I could make a whole range of pitches occur. I finally found that it sounds best when I bow right over the bridge pickup. I’ll have to investigate this further, but if pressed for a reason, I’d say it was because the bow sets up a fixed node and I’m hearing artificial fundamentals whose pitch corresponds to where the bow is on the string and either the fretted note or the bridge. This explanation could be entirely bullshit, I don’t know. I did try bowing open strings over the 12th fret, which is a fixed node in the string’s vibration. The results of this were unsatisfactory.

It is a good thing I had strung my guitar with flatwounds some time back, as it is much kinder on the bow. Flat or roundwound, either way you end up with a lot of tacky rosin on your strings … and your guitar. Be sure to wipe up after you’re done.

As the fretboard on the guitar is not arched like stringed instruments that are meant to be played with the bow, single note lines are restricted to the E string (your choice of which). If you want to increase the availability of strings for playing single notes you’ll have to either get a modified bridge or a specially made guitar. The later you can get from TogaMan. Currently I’m liking the sounds of the low E and A string drawing out long growly power chords, I suppose I could open tune the guitar to make use of all the strings. I wonder what it would sound like if I did that and used my slide?

I also found I had to wear my guitar lower. This made the action of bowing easier to do. Holding the bow is a bit odd too. So far the best grip I found, that gives me the most control is to hold it like I’m holding a pencil with the frog (see here) underneath my thumb, and my middle finger pressing on the back of the hairs. Not having my right arm to push back against the body of the guitar, I find it taxing to keep the guitar from swinging when I move my fretting hand.

Some alternatives exist if you want a bowed sound without the bow. The Piranha Guitar Bow is a device that shrinks a bow into a hand-held package. If you want to get even further down the technology path you could always pick up an E-bow from here.

Learning to play with a bow is challenging but yields great rewards in the range of expression you can coax out of your strings. If you’re looking to tackle a new technique to add to your repetoire I would highly suggest picking up a bow from your local music shop and spend some time making beautiful music.

 

Canadian Songwriting Contest With a Cash Prize

You have just over two months to get your award winning song crafted. Astral Media Radio and Canadian Music Week are presenting the 16th Annual National Songwriting Competition.

The deadline is on Friday, December 12, 2008, but don’t take my word for it read the rules and regulations. I must admit it’s a sweet Grand Prize too:

• $10,000.00 in cash (first runner up receives $2,500.00 cash)
• TASCAM 2488 NEO PortaStudio – 24-track Self Contained Audio Work Station
• NEUMANN TLM 49 Professional Studio Microphone
• 30 hours of mixing and mastering time from METALWORKS, Canada’s #1 Recording Studio
• Complete Website Design & One Year Web Hosting from J.E.T. MEDIA AND DESIGN
• $5,000.00 National Radio Promotion Package from dB PROMOTIONS & PUBLICITY INC.

Just what you need to kickstart your burgeoning music career.

 

State Your Musical Influences

What kind of music do you play? A seemingly innocent question, but is really loaded with complications and pitfalls. I know I’m not alone when I have trouble answering this one. Many musicians find themselves torn between giving the simple answer or the complex one. It is rare that one would enjoy, and be influenced by, one type of music to the exclusion of all others.

I understand the need for people to compartmentalise as a shortcut to making sense of their world, but this need is at odds with our need to be understood. Sure we could rattle off the closest genre, jazz, hip-hop, punk, world beat, though we’ll be left with the unsettling feeling that the questioner doesn’t have the full story. We’ll often add, “… but I have a lot of Rockabilly influences” or “… with a Latin twist.” or “but with a lot of Frank Zappa mixed in.” As for myself, I was raised on Folk music, taught Classical on the piano, and Blues on the guitar. I got caught up in the Grunge and Alternative movement during my teens, and later turned more to Worldbeat, Garage Revival, and Anti-folk. Yet this still doesn’t include everything that has contributed to my musical being, and frankly I still don’t know what to call the music I produce. Rock may be a catch-all but as I mentioned above, it’s not quite the full picture.

A list of known genres is huge and splintered, as encompassing descriptions are riven and riven again to describe a style with ever increasing accuracy. Let’s say that you produce electronica music. Now what kind? Synthpop, Glitch, Chiptune? Something else? How about Metal? Black, Speed, Doom? It soon becomes an exercise in distinguishing subtle taxonomic shifts in tempo, or lyrical content, or any other characteristic. Sometimes the variants are so finely divided that only those thoroughly steeped in the subculture would be aware of the differences. There’s the sticking point. By giving an name to the thing we allow ourselves to form community. The music now has a stable identification that can be defined, related to, discussed, altered, and displayed. It becomes a banner that unites a ragtag group of fans and musicians signifying their belonging. Such a growth can be seen in the example of Filk music.

When someone asks what music do you play they hope to gain a better understanding of what flag you fly. Which really speaks to how much we use music as an identity signpost. Not to sound obvious but music is a form of expression. What you express and how you express it tells the world about you as a person. Music is a well understood and recognised shorthand for categorising types of people in this modern social landscape. Which may be why I don’t like answering the question. I don’t want to give someone the Coles notes version of me. I’m afraid something will be lost or misunderstood in the transaction. As musicians we all have that need to express ourselves. We try to do this fully yet succinctly in the brief time that a song lasts. I’m not surprised that we’d rather not a label be stuck to what we do so that we can be summed up in even less time, thought, and accuracy.

There is no easy answer to the question. No one is ever as simple as the box you put them in, and everyone is resistant to being boxed. When pressed to answer the query “What kind of music do you play?” the best answer I can give is “My own.”

 

A Chord Transposition Chart

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Trying Out Ribbon Wound Strings

Okay, it’s recommendation time. Last night I restrung my guitar. It was sorely needed and I thought it would be the perfect time to try out ribbon wound strings as I’m currently playing around with a new guitar slide. For those that don’t know, ribbon wound, or flat wound strings, are strings whose overwindings are made with a flattened wire rather than a round one. This eliminates the ridges you would normally find on guitar strings. (A more in-depth explanation)

The strings that I put on are D’Addario Chromes High Finish Ribbon Wound Electric Guitar Strings. That’s quite the mouthful. I’m impressed with the sound. Though they aren’t as bright as my usual strings they do offer a warm, clean tone devoid of finger squeaks. Admittedly the lack of ridges is somewhat odd to get used to. After 18 years of playing with strings that have some grip I need to adjust to how my fingers now glide around. In a way it’s better for noodling around the blues scales. I can move my fingers into position faster and more smoothly. My hand just slips around on the fretboard throwing in grace notes and glissandos where ever I please.

The extra cost has always stopped me from buying ribbon wound strings, but now I may reconsider my purchasing decisions. Maybe I’ll pick up string cleaner in order to make them last longer. If you’ve never tried flat wound strings before I suggest you don’t wait 18 years like I did. The way they alter your sound and playing is worth the few extra dollars to investigate.

Get some strings…

 

Songs to Get You Laid

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A Distortion Pedal Recommendation

I was recently shopping around for an overdrive pedal at my local music shop. I tried out a T.C. Electronic Classic Booster + Distortion this pedal is nice. Really nice. I have an Epiphone SG running through a Traynor amp, so that’s the setup I had going on in the store just to make sure everything sounds good together.

While this thing costs more than my amplifier you get what you pay for. This was brought into sharp focus when I compared it with some Boss pedals. The Classic Booster + Distortion sound was like a fine cream while the others I tried were coffee whitener. The incorporated noise gate was really nice; it took out all my finger noise. There are enough settings to get a wide range of sounds making it a versatile pedal to have in the chain.

If you’re saving up your hard earned money to buy some distortion for your guitar, then I’d recommend you take this one out for a test drive. You may forgo the the cheaper pedals and save a little longer to get this. I know I’ll be socking away to have it.

Get Effects…

 

Give Me a Beat

I’ve tried all sorts of metronome software. Frankly, much of it is dreck, expensive dreck. I hate it when someone wants to charge as much for a metronome program as an actual metronome would be. Let’s be honest, having to have boot up my computer just to get a rhythmic click-click is a pain. If you’re charging $30 for that little bit of weekend coding you threw up on the web, then I’d rather get myself a small electronic box that fits in the palm of my hand and probably even has a tuner; much better value and convenience.

I was about to give up on the thought of a software metronome altogether when I got weird. Not only is it free, but it is much more usable and flexible that any other program I tried. With the ability to use nearly fifty sounds it’s like having a mini drumkit. I just pick out some of the many samples and go to town. If I’m just doing finger exercises then I use it straight up. But the real beauty of this is its ability to do arbitrary time signatures, a feature you don’t really find elsewhere. If you want to get the hang of playing in 5/4 then do yourself a favour and download this.

http://www.pinkandaint.com/weirdmet.shtml